- For other uses, see Big Brother.
Big Brother as portrayed in the BBC's 1954 production of Nineteen Eighty-Four.
"Big Brother" is a fictional character in George Orwell's novel Nineteen Eighty-Four, the enigmatic dictator of Oceania, a totalitarian state taken to its utmost logical consequence. In the society that Orwell describes, everybody is under complete surveillance by the authorities, mainly by telescreens. The people are constantly reminded of this by the phrase "Big Brother is watching you", which is the core "truth" of the propaganda system in this state.
The physical description of "Big Brother" is reminiscent of Joseph Stalin or Lord Kitchener. In the novel, it is not clear if he actually exists as a person, or is an image crafted by the state. However, since Inner Party torturer O'Brien at one point tells Winston Smith that Big Brother can never die, the implication is that Big Brother is the personification of the party. In a book supposedly written by the rebel Emmanuel Goldstein (but later revealed to have a more complex origin) it is stated that "nobody has ever seen Big Brother. He is a face on the hoardings, a voice on the telescreen… Big Brother is the guise in which the Party chooses to exhibit itself to the world. His function is to act as a focusing point for love, fear, and reverence, emotions which are more easily felt towards an individual than towards an organization." (See Goldstein's book) In Party propaganda, however, Big Brother is presented as a real person, who was one of the founders of the Party along with Emmanuel Goldstein. His real name is never mentioned and it is not publicly known.
Big Brother (on the telescreens) in the 1984 film version.
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Contents
- 1 Love of Big Brother
- 2 Purported origins of Big Brother
- 3 Response to Big Brother Today
- 4 References
- 5 See also
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Love of Big Brother
The loyal citizens of Oceania do not fear Big Brother, but in fact love and revere him. They feel he protects them from the evils out there. The purported love is illustrated in the end of the Two Minutes Hate:
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At this moment the entire group of people broke into a deep, slow, rhythmic chant of 'B-B! .... B-B! .... B-B!'—over and over again, very slowly, with a long pause between the first 'B' and the second—a heavy mumurous sound, somehow curiously savage, in the background of one which seemed to hear the stamps of naked feet and the throbbing of tom-toms. For perhaps as much as thirty seconds they kept it up. It was a refrain that was often heard in moments of overwhelming emotion. Partly it was a sort of hymn to the wisdom and majesty of Big Brother, but still more it was an act of self-hypnosis, a deliberate drowning of consciousness by means of rhythmic noise.[1]
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Purported origins of Big Brother
In the essay section of his novel 1985, Anthony Burgess states that Orwell got the idea for Big Brother from advertising hoardings current during WWII for educational correspondence courses run by a company called Bennett's.
The original posters are claimed to have shown Bennett himself - a kindly looking old man offering guidance and support to would-be students, with the slogan "Let me be your father."
When Bennett died, his company was inherited by his son, whose rather aggressive-looking face appeared on the posters instead, accompanied by the unappealing slogan: "Let me be your big brother".
The ideological basis for Big Brother likely comes from Leo Tolstoy's novel War and Peace, particularly the discussion of the science of history in part two of that book's epilogue. Napoleon Bonaparte and various other military and political figures traditionally revered as geniuses, are presented in the theory of history Tolstoy opposes as the cause of the movement of humanity and nations. Orwell appears to call upon this previous work by his invention of just such a patriarchal figure.
The historical background during which Orwell wrote his work included several national leaders who had held considerable power, including British Prime Minister Winston Churchill, US President Franklin D. Roosevelt, and Soviet premier Joseph Stalin. Stalin, among other leaders, is often cited to have developed a cult of personality around himself.
Response to Big Brother Today
Since the publication of Nineteen Eighty-Four, the phrase "Big Brother" has entered general usage, to describe any overly-inquisitive or overly-controlling authority figure or attempts by government to increase surveillance. The reality TV program Big Brother takes its name from Nineteen Eighty-Four and a similarly named figure is big mama — the informal name for the internet censor on web boards in the People's Republic of China.
The magazine Book ranked Big Brother #59 on its 100 Best Characters in Fiction Since 1900 list.
References
- ^ Orwell, George (1949). Nineteen Eighty-Four.
See also
- Cult of personality
- Mass surveillance
| Nineteen Eighty-Four v·d·e |
| By George Orwell |
| Characters |
Winston Smith | Julia | O'Brien | Big Brother | Emmanuel Goldstein |
| Places |
Oceania | Eastasia | Eurasia | Airstrip One | Room 101 |
| Classes |
Inner Party | Outer Party | Proles |
| Ministries |
Ministry of Love | Ministry of Peace | Ministry of Plenty | Ministry of Truth |
| Concepts |
Ingsoc | Newspeak | Doublethink | Goodthink | Crimestop
Two plus two | Thoughtcrime | Prolefeed | Prolesec |
| Miscellaneous |
Thought Police | Telescreen | Memory hole | The Book | Newspeak words | Two Minutes Hate | Hate week |
| Other media |
1956 film | 1984 film | 1953 TV programme | 1954 TV programme | Opera | 1985 | Me and the Big Guy |
Categories: Nineteen Eighty-Four | Surveillance | Characters in written fiction | Fictional dictators | National personifications | George Orwell characters